1. Music Archaeology
The study of ancient music and sound-related activities is an interdisciplinary field which has become increasingly popular in recent years amongst scholars ...
The study of ancient music and sound-related activities is an interdisciplinary field which has become increasingly popular in recent years amongst scholars from around the world. A brief survey of music archaeological papers that have been presented at the SAA annual meetings during recent years, demonstrates the potential for research in this discipline. However, researchers are commonly spread across general sessions often reflecting the geography of their study area instead of the topic of their papers. In addition to presenting individual research, this symposium brings together scholars who are interested in archaeomusicology so that they can collaborate on new ideas, discuss issues with current research, and explore new avenues in the archaeological study of music/sound. Papers will encompass various aspects of ancient music which includes (and is not limited to) archaeologically recovered music instruments, music-related iconography, performance, and dance.
2. Music Archaeology: Interpreting Musical Discoveries through ...
May 31, 2022 · In large part, researchers have used music archaeology to learn about the musical behavior of ancient communities, but discoveries have been ...
Luke Shefski
3. The Archaeology of Music - Vassar College WordPress
Nov 18, 2022 · Music has been a staple within many cultures from across the world. We see it in traditions and all different forms of media.
Posted on November 18, 2022 by smorejon
4. Discover “The Archaeology of Music” At CCHS
May 17, 2024 · “Experiencing 'The Archaeology of Music' is a terrific way to connect with other people and our shared musical heritage. As we make music ...
The Chenango County Historical Society (CCHS) and the Chenango Chapter of the New York State Archaeological Association (NYSAA) are partnering for “The Archaeology of Music.” Combining archaeology and anthropology with history, this unique experience demonstrates how people around the world use music to connect with other people. On June 6, join archaeologist Vivian James for an interactive, family-friendly […]
5. 26 Community Music and Ethnomusicology - Oxford Academic
AbstractThis chapter reflects on the similarities and differences between community music and applied ethnomusicology. We argue that to describe a particul.
6. The Benefits of Music-Making within the Community - Percussion Play
Researchers have proven that music enhances group identity and that playing musical instruments in a group helps us to 'synch up our brains and co-ordinate our ...
Percussion Play's newest White Paper explores the history, importance and benefits of music-making within a community and how music can bring us together.
7. [PDF] Community music in the United States - NYU Skirball Center
Missing: Archaeology | Show results with:Archaeology
8. Archaeomusicology Interest Group - Archaeological Institute of America
The Archaeomusicology Interest Group consists of AIA members with an interest in the archaeological approach to music and dance performance, and in promoting ...
AIA Committee Archaeomusicology Interest Group
9. ICTMD Study Group on Music Archaeology
Missing: Community | Show results with:Community
The ICTM Study Group on Music Archaeology was founded in Seoul, South Korea, in 1981, on the occasion of the 26th World Conference of the Council. The ICTM Study Group on Music Archaeology 325 four founding members were (in alphabetical order) John Blacking, Ellen Hickmann, Mantle Hood, and Cajsa S. Lund. Without being officially recognized by the ICTM until the 27th World Conference held in New York (1983), the first international scholarly meeting of the study group was held in 1982 in Cambridge, UK. Between 1996 and 2003, the ICTM Study Group on Music Archaeology was left without a chair and was not active. In 2003, the archaeologist Julia L. J. Sanchez re-activated the group on the initiative of Anthony Seeger, then secretary general of the Council. The revival began with meetings in Los Angeles, California (2003). The ICTM Study Group on Music Archaeology developed over the years beyond a small circle of enthusiasts to encompass an international body of experts from numerous disciplines, including science and the arts. Today, its activities reflect the wide scope of music-archaeological research worldwide, benefitting from perspectives from a range of subjects, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives, as in the very early days of the study group. Download the attached files in order to know more about the Study Group history, goals, bibliography and past symposium...
10. [PDF] Historical Formations of Community Music through Social Rationales
Community music: History and current practice, its constructions of ... Archaeology and genealogy. In The Sage handbook of qualitative research, third ...
11. ISGMA
Missing: Community | Show results with:Community
The International Study Group on Music Archaeology (ISGMA) is a pool of researchers devoted to the field of music archaeology. The field comprises research methods of musicological and anthropological disciplines, such as archaeology, organology, acoustics, music iconology, philology, ethnohistory, and ethnomusicology. The study group is hosted at the Austrian Archaeological Institute (Austrian Academy of Sciences), the Department for Ancient Near Eastern Studies at the University of Würzburg, and the Department for Ethnomusicology at the Ethnological Museum Berlin (Ethnologisches Museum Berlin, SMB SPK, Abteilung Musikethnologie, Medien-Technik und Berliner Phonogramm-Archiv).
12. Music Archaeology as a Field of Interdisciplinary Research
Investigations combining musicology and archaeology may be compared with similar interdis-ciplinary researches, providing, for example, evidence on the question ...
Music Archaeology as a Field of Interdisciplinary Research was published in Strings and Threads on page 115.
13. European Music Archaeology Project
Long before the Old Continent became known as Europe and before the presumed "history of music" began, musical instruments played a key role in creating a ...
Long before the Old Continent became known as Europe and before the presumed "history of music" began, musical instruments played a key role in creating a network of interconnections, cross-references and shared features among the various European cultures. The European Music Archaeology Project (EMAP) is the first organic journey from the sounds of Prehistory through to traditions which still survive today, taking us from very early music to the present day composer and blending archaeology and art, science and creativity.
14. [PDF] Is It Just Rock 'n' Roll? A Comment on Stefan Bielinski's Community ...
A Comment on Stefan Bielinski's Community History, Popular Music, and Public. Audiences," Northeast Historical Archaeology: Vol. 27 27, Article 3. https ...
15. Community Music: In Theory and In Practice | Oxford Academic
Jul 3, 2012 · Working with historical, ethnographic, and theoretical research, the book provides a rich resource for those whom practice, advocate, teach, or ...
16. Issues of ubiquitous music archaeology: Shared knowledge ... - Frontiers
Apr 5, 2023 · Our archaeological ubiquitous-music methods yield fresh insights on both convergences and contradictions implicit in the creation of cutting- ...
The reconstruction of tools and artworks belonging to the origins of music computing unveils the dynamics of distributed knowledge underlying some of the maj...
17. What archaeology tells us about the music and sounds made by Africa's ...
Aug 24, 2020 · But when it comes to archaeology there is scant evidence of music or sound producing artefacts from southern Africa. This is because of poor ...
There is not much information on artefacts used by Stone Age humans to make sound and music – but the first comprehensive survey is a good start.
18. Community Music at the Boundaries - Project MUSE
Missing: Archaeology | Show results with:Archaeology
Music lives where people live. Historically, music study has centred on the conservatory, which privileges the study of the Western European canon and Western European practice . The Eurocentric way music has been studied has excluded communities that are considered to be marginalized in one or more ways despite that the majority of human experiences with music is found outside of that realm. Community music has emerged as a counter-narrative to the hegemonic music canon: it seeks to increase the participation of those living on the boundaries.
19. 20-4 Traditional Music in Community Life | Cultural Survival
Dec 1, 1996 · Traditional Music in Community Life: Aspects of Performance, Recordings,. and Preservation How does a community maintain an identity? What ...